Throughout the semester I felt as though I developed
dynamically as a digital film student. In “Al-Kimia” I worked in a production
group for the first time, which meant I had to extend my capabilities in
trusting my teammates. This paid off and made the workload manageable so that I
was able to enjoy the project. Initially the preproduction phase got a little
chaotic because we wanted to abide by a strict schedule. However, I felt like
the preparations paved the way towards a smooth-sailing production. It meant
that we could meet Sharon Henry and work with dance professionally. It meant
that we had space to work with set backs, like the risk assessment requirements
that Tim Savage implemented. It meant that the team could have a good amount of
editing time. It meant that we could enjoy the project.
After having done this project, what I would do different
next time is that I would actually scout for proper locations. Working in
studio is too much of a minimalistic concept and deprives our film of a
establishing wide shot.
I discovered the aesthetic value of having a proper location whilst documenting Laura Olohan with her “Buffoon Society” piece. After being inducted to the glidecam, the dancers from “The Dance Movement” helped my team realize how important the idea of space is, especially when considering what can be expressed in a space.
I discovered the aesthetic value of having a proper location whilst documenting Laura Olohan with her “Buffoon Society” piece. After being inducted to the glidecam, the dancers from “The Dance Movement” helped my team realize how important the idea of space is, especially when considering what can be expressed in a space.
In “Hand of the Artist” I definitely enjoyed working on a
more conceptual basis. However I felt that the project was conceptually driven
on discussions between Melissa and myself, as opposed to critical theories like
that found in “The Future of the Image” by Jacques Ranciere. Unfortunately my
sound for this piece could have been better, however I did not anticipate that
I would want to interview her. Despite this set back, I found that I really
enjoyed experimenting with camera framing. Using Al’s gopro really helped
examine the habits that certain artists have, such as Melissa’s tendencies to
step back and speculate on her piece. It also fulfills my need to portray the
significance of authorship and “hand of the artist.”
All in all, this semester of DFSA proved to be one of my
most exciting.This would not have been possible without the support of my
peers, and I am most definitely looking forward to future projects with them
next year.
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